The Choral Singer’s Companion

62 essays (to date) on choral literature for choral singers. 2002–present. Visit the The Choral Singer’s Companion website.

“Een muzikaal hof”

Translated by Klaas Coulembier. In Laus Polyphoniae 2019: Maria van Bourgondië, 31–48. Antwerp: AMUZ, 2019.

“Anthony, Susan B.”

In American Governance, I: 87–89. 5 vols. Edited by Stephen Schechter et al. Farmington Hills, Michigan: Macmillan, 2016.

Commentary for Extreme Singing: La Rue Requiem and Other Low Masterpieces of the Renaissance (CD)

Vox Early Music Ensemble, Christopher Wolverton, Artistic Director; 2011. Part of the research project receiving the American Musicological Society 2006 Noah Greenberg Award.

Commentary for Pierre de la Rue: Portrait musical (3-CD set)

Capilla Flamenca, Dirk Snellings, Director. Musique en Wallonie, 2011.

“Pipelare, Matthaeus”

Revision of original article by Ronald Cross. Grove Music Online, 2011.

“Au feu d’amour and the Tapestry of Renaissance Music”

In Golden Muse: The Loeb Music Library at 50. Edited by Sarah Adams, Virginia Danielson, and Robert J. Dennis. Harvard Library Bulletin 18 (2007): 71–74.

Commentary for Missa L’homme armé: Sacred Music of Ludwig Senfl (world premiere CD recording)

The Suspicious Cheese Lords, 2004.

“La Rue, Pierre de,” “Rigo de Bergis, Cornelius,” and “La Rue, Robert de”

In The New Grove Dictionary of Music and Musicians. 2nd edition. Edited by Stanley Sadie. London: Macmillan, 2001. Revised version of “La Rue, Pierre de,” 2009.

“Interdisciplinary Objects: The Case of Hildegard of Bingen”

In Proceedings of the 16th International Congress of the International Musicological Society, 646. Edited by David Greer. Oxford: Oxford University Press, 2000.

“Hildegard von Bingen, 1098-1179”

In Reader’s Guide to Music: History, Theory, and Criticism, 304-305. Edited by Murray Steib. Chicago and London: Fitzroy Dearborn Publishers, 1999.

“Pierre de la Rue (ca. 1452-1518)”

In The Treasury of Petrus Alamire: Music and Art in Flemish Court Manuscripts, 1500-1535, 35-37. Edited by Herbert Kellman. Ghent and Amsterdam: Ludion, 1999. Distributed by The University of Chicago Press.

“Florence, Biblioteca del Conservatorio di Musica Luigi Cherubini, MS Basevi 2439 (‘Basevi Codex’)”

In The Treasury of Petrus Alamire: Music and Art in Flemish Court Manuscripts, 1500-1535, 78-79. Edited by Herbert Kellman. Ghent and Amsterdam: Ludion, 1999. Distributed by The University of Chicago Press.

“Listening to Sacred Polyphony”

Early Music 26 (1998): 374-379; 539.

“Se cuer d’amant par soy humilier” (Baude Cordier) and “Voulez ouyr les cris de Paris?” (Clément Janequin)

Translations for Anthology of Renaissance Music, 488 and 494. Edited by Allan W. Atlas. New York and London: W.W. Norton, 1998.