Review of Canons and Canonic Techniques, 14th–16th Centuries: Theory, Practice, and Reception History, edited by Katelijne Schiltz and Bonnie J. Blackburn, Analysis in Context: Leuven Studies in Musicology 1 (Leuven: Peeters, 2007). Renaissance Quarterly 61 (2008): 984–986.

“After the Party: Hildegard since 1998.” Review of Barbara Stühlmeyer, Die Gesänge der Hildegard von Bingen: Eine musikalische, theologische und kulturhistorische Untersuchung (Hildesheim, Zürich, and New York: Georg Olms, 2003). Early Music 33 (2005): 693–695.

“What Do Musicologists Want? Reflections on IMS 1997.” Current Musicology 63 (1997): 166-168.

Review of Pierre de la Rue, Opera omnia, Vols. 1-3, edited by Nigel St. John Davison, J. Evan Kreider, and T. Herman Keahey, Corpus Mensurabilis Musicae 97 (Neuhausen-Stuttgart: Hänssler for American Institute of Musicology, 1989-1992). Journal of the American Musicological Society 48 (1995): 283-293.

“Report from Madrid. Fifteenth Congress of the International Musicological Society—Mediterranean Musical Cultures and Their Ramifications, 3-10 April 1992: The Fifteenth, Sixteenth, and Seventeenth Centuries.” Current Musicology 54 (1993): 100-101.

Review of Josquin: L’homme armé Masses (The Tallis Scholars), Pierre de la Rue: Messe L’homme armé/Requiem (Ensemble Clément Janequin), and Ockeghem: Missa Prolationum/Marian Motets (The Hilliard Ensemble). Early Music 18 (1990): 315-316.

Review of A Practical Guide to Historical Performance: The Renaissance, ed. Jeffery T. Kite-Powell (Early Music America, 1989). Early Music 18 (1990): 137-138.

Review of In mynen zin, ed. Richard Taruskin; and Myn morken gaf, ed. Richard Wexler (Ogni Sorte Editions, Renaissance Standards, Vols. 8-9). Early Music 15 (1987): 109-110.